BettySoo loves playing in all kinds of venues. Theatres, clubs, private parties, special events – you name it. If you are interested in hosting a concert for BettySoo but are unfamiliar with how to run a house concert, we would love to provide you with some helpful information.

Click here to find out more about hosting a house concert.

To find out more about booking BettySoo for your event or venue, please visit the Contact section of the website. Thanks!

Just click on an event image for map, contact info, or to add it to your calendar.

Feb 16 @ 3:30 pm – 5:30 pm
AUSTIN AIRPORT: BETTYSOO SOLO @ Earl Campbell's | Austin | Texas | United States

BettySoo will be playing a solo show at the Austin airport. Flying through? Arriving home? Come stop by, say hello, and listen to a few tunes to soothe your weary traveling nerves!

Feb 20 @ 8:00 pm – 10:00 pm
ATX: BETTYSOO & AMELIA WHITE @ Driskill Hotel | Austin | Texas | United States

Nashville meets Austin in one show featuring one of the finest songwriters from each city. Amelia White stops by from Tennessee on her first tour of 2018, joining the home team – Texas veteran BettySoo, for a wonderful night of music.

One of the top songwriters in Nashville, Amelia White has an incredible new critically-acclaimed record, “Rhythm of the Rain,” a very nice follow-up to 2016’s release “Home Sweet Hotel,” which landed on the year-end Telegraph UK Top 10 list with the likes of Bonnie Raitt, Buddy Miller, Applewood Road, John Moreland, Rod Picott and others. The record was produced by Marco Giovino of Robert Plant, Patty Griffin and Buddy Miller’s Band of Joy.
“Rhythm of the Rain” dropped in November in the UK, Continental Europe, Australia and New Zealand, and will release int he US this coming summer with several additional tracks. It has already received widespread four-star reviews and radio airplay across Europe.

“Remarkable…it’s hard not to hear the contrasting raw emotions in her distinctive vocal…with hints of Patti Smith in a dues-paid smoky bar patina. Sassy Americana at its best.” RnR Magazine UK, 4 stars

“Amelia White manages something special in the world of Americana …White is so much more than just a country singer and also so much more than just a songwriter. One of the best Americana albums I’ve heard recently.” UK, 4 stars

“This is the real deal, full of juicy tunes…the woman just oozes cool…it’s all killer no filler for sure…with an album as good as this, it’s truly an appointment not to be missed, this is a chance to see East Nashville’s finest at the top of her game – take it.” – Americana UK 9/10

“An authentic, intelligent piece of music that demands more than a few plays in order for it to live and breathe….an intriguing and intelligent listen that, like the best of albums, reveals much of itself with repeated listens.” – Maverick UK, 4 stars of 5

ATX: Charlie Faye & The Fayettes @ The Townsend
Feb 22 @ 8:30 pm – 10:00 pm
ATX: Charlie Faye & The Fayettes @ The Townsend | Austin | Texas | United States

Experience Charlie Faye & The Fayettes with a special evening at The Townsend.


AUSTIN, Texas — If ever a decade changed everything, it was the ‘60s. The music, the mood, the attitudes … the whole era made such an earthquake-like impact, we still feel its reverberations. And inspirations.

Charlie Faye & the Fayettes weren’t around then, but this Austin trio are so good at building a groove rooted in that rich time, it’s as if they’re channelers. Actually, they are, but don’t think “nostalgia act”; both onstage and on their self-titled release, Charlie Faye & the Fayettes (2016), they craft smart soul-pop that merges the swinging, swaying sound and style of ‘60s girl groups with a modern vibe that’s so current, they’re dancing to the forefront of a retro revival.

With the Fayettes, leader Charlie Faye has finally found the sonic sweet spot she started seeking even before her last album, 2013’s You Were Fine, You Weren’t Even Lonely, which became the chronicle of her breakup with producer Will Sexton as they recorded it. That one reached No. 16 on the Americana Music Association’s airplay chart and earned her a “Songwriter of the Week” designation from American Songwriter magazine’s website — not to mention an out-of-the-blue email from Grammy-winning artist and producer Peter Asher, who praised her work and added, “I look forward to … hearing what you do next.”

His encouragement was just the catalyst she needed to crystallize her love of the Shirelles and Ronettes with her desire to break out of the solo singer-songwriter mold.

“I wanted to do something more fun — to write upbeat songs and create an entertaining show, because that’s what I want to see,” Faye explains. “I’ve always loved the girl groups from the ‘60s; that’s the stuff I grew up on. And I’ve always loved singing harmonies with my friends, so it was a natural progression for me to want to do a girl group.”

And what a group it is. BettySoo and Akina Adderley both have established histories as solo artists and background vocalists. The trio’s shared height (they’re all within a half-inch of 5-foot-1) and distinct ethnicities (Jewish, Korean and African-American) just adds cute to their considerable charms.

But all the cuteness in the world wouldn’t matter without songs, and here, Faye’s great ear and intelligent writing come to the fore. On her own or with co-writers including Bill DeMain and Craig Marshall, she penned 11 tracks that marry beguiling lyrics with incredibly catchy melodies. The material, recorded in Los Angeles and Austin by producer/engineer Dave Way (Michael Jackson, Fiona Apple), has already earned the band a South By Southwest 2016 showcase slot.

Two standouts, “Coming Round the Bend” and “Green Light,” pay fabulous homage to the Shangri-Las and Phil Spector’s Wall of Sound. “Bend’s” cantering beat and just-right production turn every second of its 2½ minutes into sheer delight (Rock and Roll Hall of Famer Pete Thomas, of Elvis Costello’s Attractions, gets the album’s drumming credit). The equally strong “Green Light” could serve as an answer song to the Supremes’ “Stop! In the Name of Love.” “You’ve got the green light, baby,” Faye sings in her sweet-smooth come-on voice. “I’m saying yes, not maybe. Why are we taking things so slow?”

Every one of these songs has allure galore. In “Heart,” musical references to Elvis and Buddy Holly are punctuated with the lyric, “don’t be cruel.” “Delayed Reaction” peppers its Spector influence with horn pumps and synth tweets for a fast-paced frolic from past to present. “Sweet Little Messages” makes another seamless connection from then to now, as illustrated in a super-cool video produced by Jazz Mills.

As listeners will quickly note, Faye has another formidable influence, one Asher also picked up on in his survey of her work: the Stax/Volt sound. Like artists from Leon Bridges and Anderson East to St. Paul & the Broken Bones and Lianne La Havas, Faye is part of the new generation unearthing a mother lode of soul inspiration from that musical map point where Memphis and Muscle Shoals intersect.

On “One More Chance,” Faye’s Dusty delivery and the Fayettes’ perfectly placed harmonies conjure visions of synchronized hip swivels and arm gestures. The funky “East Side” has a similar effect; co-writer Eric Holden’s deep bass furrows and layered horns by sax great Steve Elson (David Bowie’s go-to honker) drive it right to the hip side of town. But inside its feel-good groove and lighter lyrics lies some heavier socio-political commentary about what happens when neighborhoods change.

That subject has carried particular resonance with Faye since she moved to Austin and wound up in a tightknit community of musicians inhabiting an enclave of South Austin cottages. Not only did she title her 2009 debut album Wilson St. in honor of that spot, she galvanized a movement to save the historic cottages, leading a David-and-Goliath battle against a major real-estate developer. In addition to national coverage, her effort earned her much respect in a rapidly growing city struggling to preserve its heritage.

For her follow-up, 2011’s Travels with Charlie, Faye arranged an unconventional tour; instead of spending a little time in a lot of places, she spent a month in each of 10 cities, playing and recording with local musicians she befriended. Collaborators included Kenny Vaughan, Chris Scruggs, Malcolm Burn, Warren Storm, C.C. Adcock, Ian Moore, Sergio Mendoza and Calexico’s Joey Burns and John Convertino. That album reached No. 7 on the AMA airplay chart.

Clearly, she’s an achiever — a woman who has both great ideas and the determination it takes to make them real. Now she’s feeling an urge to band together with fellow retro-revivalists to share this sound with new audiences.

Yes, Charlie Faye is ready to launch another movement. An invitation across the nation. And the time is right … for dancing.

HOUSTON, TX: Charlie Faye & The Fayettes @ McGonigel's Mucky Duck
Feb 23 @ 7:00 pm – 8:30 pm
HOUSTON, TX: Charlie Faye & The Fayettes @ McGonigel's Mucky Duck | Houston | Texas | United States

Charlie Faye & The Fayettes live at the Mucky Duck

Feb 24 @ 5:00 pm – 9:00 pm

BettySoo is returning to do a solo house concert in Tampa, hosted by the ever-fabulous Judi Breuggeman and her friendly partner in crime Larry Schwartz, this is a sure bet to be a fun night. We’d love for you to join us… just e-mail Judi for some info.

Potluck is at 5:00 p.m., Music starts around 6:30

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